Andrea Freckmann, Tobias Lengkeek, Ronald Versloot

(Friday) (Sunday)

Tobias Lengkeek (1991) graduated last June at the The Royal Academy The Hague. In his paintings he tries to catch time: damaged or discarded objects once were new, by painting them he tries to reveal their history. Andrea Freckmann (1970) and Ronald Versloot (1964) both paint scenes that move between reality and a stage like setting. Freckmann shows uniformed men riding hobby horses carrying flags with Hurra written on them. This half ironically refers to the need to respond to the political turmoil in our current society. Versloot paints without using a brush: human figures are airbrushed in templates and put in landscapes. These are printed with paint first put on plastic sheets, using this technique he often mirrors the scenery as in Rorschach images.

Galerie Maurits van de Laar
Herderstraat 6
2512 CV Den Haag
Netherlands
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http://www.mauritsvandelaar.nl

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Andrea Freckmann, Tobias Lengkeek, Ronald Versloot Galerie Maurits van de Laar Main address: Galerie Maurits van de Laar Herderstraat 6 2512 CV Den Haag, Netherlands Galerie Maurits van de Laar Herderstraat 6 2512 CV Den Haag, Netherlands

Tobias Lengkeek (1991) graduated last June at the The Royal Academy The Hague. In his paintings he tries to catch time: damaged or discarded objects once were new, by painting them he tries to reveal their history. Andrea Freckmann (1970) and Ronald Versloot (1964) both paint scenes that move between reality and a stage like setting. Freckmann shows uniformed men riding hobby horses carrying flags with Hurra written on them. This half ironically refers to the need to respond to the political turmoil in our current society. Versloot paints without using a brush: human figures are airbrushed in templates and put in landscapes. These are printed with paint first put on plastic sheets, using this technique he often mirrors the scenery as in Rorschach images.

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