Something to Say: Brooklyn Hi-Art! Machine, Deborah Kass, Kameelah Janan Rasheed, and Hank Willis Thomas

(Wednesday) (Sunday)

In this yearlong activation, Brooklyn artists Brooklyn Hi-Art! Machine, Deborah Kass, Kameelah Janan Rasheed, and Hank Willis Thomas present their work in our public spaces—the plaza green, steps, and promenade outside and the lobby within—emphasizing the Museum as a civic space for conversation and learning. Through their text-based works, these artists use language, questions, and humor to engage topics ranging from national debates to local community issues, sparking dialogue around some of the most pressing questions of our time and inspiring us to listen, share with one another, and connect through art.



Brooklyn Hi-Art! Machine’s fence weaving, similar to those on view across the borough, sits on the promenade above the glass entrance pavilion in a direct entreaty to visitors that subtly questions neighborhood power dynamics. Deborah Kass’s vibrant yellow OY/YO sculpture seeks to evoke joy and unity in its playful monumentalizing of classic New York slang. Kameelah Janan Rasheed’s two site-specific installations use questions and prepositions to give voice to a sense of individual and collective identity in a time of upheaval. Hank Willis Thomas’s neon installation speaks out for love and compassion, despite personal pain and loss.

Brooklyn Museum
200 Eastern Parkway
NY 11238 Brooklyn
United states
718) 638-5000
https://www.brooklynmuseum.org/exhibitions/something_to...

Tags

Art, Museum, New York,

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Something to Say: Brooklyn Hi-Art! Machine, Deborah Kass, Kameelah Janan Rasheed, and Hank Willis Thomas Brooklyn Museum Main address: Brooklyn Museum 200 Eastern Parkway NY 11238 Brooklyn, United states Brooklyn Museum 200 Eastern Parkway NY 11238 Brooklyn, United states In this yearlong activation, Brooklyn artists Brooklyn Hi-Art! Machine, Deborah Kass, Kameelah Janan Rasheed, and Hank Willis Thomas present their work in our public spaces—the plaza green, steps, and promenade outside and the lobby within—emphasizing the Museum as a civic space for conversation and learning. Through their text-based works, these artists use language, questions, and humor to engage topics ranging from national debates to local community issues, sparking dialogue around some of the most pressing questions of our time and inspiring us to listen, share with one another, and connect through art.



Brooklyn Hi-Art! Machine’s fence weaving, similar to those on view across the borough, sits on the promenade above the glass entrance pavilion in a direct entreaty to visitors that subtly questions neighborhood power dynamics. Deborah Kass’s vibrant yellow OY/YO sculpture seeks to evoke joy and unity in its playful monumentalizing of classic New York slang. Kameelah Janan Rasheed’s two site-specific installations use questions and prepositions to give voice to a sense of individual and collective identity in a time of upheaval. Hank Willis Thomas’s neon installation speaks out for love and compassion, despite personal pain and loss.
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