เà¸à¸µà¹ˆà¸¢à¸§à¸à¸±à¸šà¸‡à¸²à¸™:
Permanently
Since 2012 : Stern-Pissarro Gallery - 66 St James’s Street – London SW1A 1NE – www.pissarro.net
2011 to 2012 : Galerie Gollong – 59 rue Grande - 06570 Saint-Paul de Vence - www.gollong.net
2007 to 2011 : Galerie Lavagna - 46 rue Grande - 06570 Saint-Paul de Vence
Since 2005 : Galerie Vivendi/Hachem - 28 place des Vosges - 75003 Paris
www. Vivendi-gallery.com - (no relationship with the same named trust)
Since 2000 : Galerie Page - 37 rue Mazagran - 64200 Biarritz - www.galeriepage-biarritz.com
Since 1997 : Galerie L’Atelier Audibert - 130 avenue de Verdun - 91550 Paray-Vieille-Poste
Expositions personnelles et de groupe :
2012:
- 25 mai/26 septembre : Festival International Art Saône et Loire –
- 1er au 30 juin – exposition personnelle Galerie L’Atelier Audibert
2011 :
- Exposition collective Lar2convaincre – Côté Est - Romainville
- Art Contemporary Gallery Croissant – Bruxelles
2009 :
- « L’année du buffle » - exposition personnelle : Galerie Vivendi - Paris III - « Carnet de voyage » - exposition personnelle : Galerie Lavagna - Saint Paul de Vence - ARMORY SHOW "OFF" - BRIDGE ART FAIR - New York : Stern Pissaro Gallery – Londres - ART LONDON : Galerie Vivendi - Exposition de groupe – Moulin de Mougins – Alpes Maritimes : Galerie Lavagna
2008 :
- ART LONDON - ART TORONTO : Galerie Vivendi
- « Ecriture et trace » - Aéroport Nice Côte d'Azur : Galerie Lavagna
- « Exposition de Noël » - exposition personnelle : Galerie Page – Biarritz
2007 :
- SOFA NEW YORK - ART LONDON - SOFA CHICAGO - MOSCOW WORLD FINE ART : Galerie Vivendi
- Galerie des Lices - Saint-Tropez
- « La lune renversée » exposition personnelle : LE CARROSSE – Paris XX
2006 :
- ART MIAMI - ART LONDON - SOFA CHICAGO – PALM BEACH JEWELRY : Galerie Vivendi
2005 :
- SOFA CHICAGO - ART LONDON : Galerie Vivendi
- « Sous le béton de Hô-Chi-Minh-Ville » - exposition personnelle : LE CARROSSE – Paris XX
- "Nous ne sommes pas seuls dans l'univers" – exposition personnelle : Théâtre du Lierre - Paris XIII
- Galerie Fabien Mathieu – Toulouse
2004 :
- « Présence » - exposition personnelle : Galerie Multitudes –Paris VI
2003 :
- Galerie Multitudes – Moustiers-Sainte-Marie – Alpes de Haute Provence
2002 :
- « Au-dessus du niveau de la mer » : Théâtre du Lierre – Paris XIII
- Galerie Katryn Boudet – Paris VI
2001 :
- 3ème Nuit Cent Peintres – Paris VI
- Galerie Katryn Boudet – Paris VI
1999 :
- Rencontres internationales artistiques – association Saint-Henry – Payra-sur-l’Hers - Aude
1997 :
- « Equivoques 2 » exposition personnelle : Péniche le Six-Huit – Paris VI
- Exposition personnelle – Espace culturel Simone Signoret – Courcouronnes – Essonne
- « Les artistes pour la liberté » Amnesty International – Evry - Essonne
- Enseignement arts plastiques – mairie de Grigny - Essonne
1996 :
- « Arb’or’essence » - exposition personnelle – Faisanderie de Sénart – Soisy-sur-Seine - Essonne
- Enseignement arts plastiques – mairie de Grigny - Essonne
1995 :
- Exposition internationale itinérante « Arbres en Fleurs »
1994 :
-1er prix de peinture – toile : « Géométries bleues » – 5ème salon d’arts plastiques de la ville de Grigny
-1er prix de peinture à l’huile – toile : « Château de l’Arbalète » – Peinture et patrimoine de l’Essonne
- Edition par la mairie de Grigny de la toile primée pour la carte de vœux/invitation janvier 1996
1992 :
-1er prix de la ville de Grigny – pour la toile : « Le délire de la Grande Borne » –
Peinture et patrimoine de l’Essonne
รูปà¹à¸šà¸šà¸à¸²à¸£à¸à¸à¸à¹à¸šà¸šà¸‚à¸à¸‡à¸‰à¸±à¸™:
After a short figurative period, I oriented towards abstraction with a work of materials. I stuck elements on torn cardboard or canvas. Scraps of newspaper, corrugated cardboard, fabric, twine ... My colors were quite subtle beige, gray and blue. I favored composition, which turned quite around an accumulation of squares.
I gradually introduced silhouettes, always with my collages, using pieces of my own torn painted canvases. Enriching recycling of an already enriched recycling.
In 2003 I went to Ladakh, Himalaya, northern desert region of India which dazzled me. The vastness, the colors of the désert, the atmosphere of Buddhism, monasteries colors: saffron, orange, red, carmine, some very dark. I came back upside down with a need to extend this serenity through my paintings.
This trip has strengthened my work on the square, very rejuvenating for me. The square in the square usually crossed through with a path to the center, also evokes a prayer wheel on its axis or a succession of windows or doors leading to a light. A form of introspection, with an opening in the center.
A few years later I saw this type of scheme at the entrance of the Angkor temples, it is simply the map of each temple. With their succession of doors, plans are like my paintings... with the difference that Angkor entrance is from the east the exit is on the west (horizontal). In the case of my paintings it looks like mostly a north / south axis (vertical).
After the serenity of the desert Himalayan and Tibetan Buddhism, I left three consecutive winters, a total of 10 months from 2004 to 2007, setting up my studio in Cholon, Chinatown, Ho Chi Minh City. The atmosphere is quite different: the crowds, noise, concrete colored plastics. I worked again the human figure, but this time more in number, with materials found on site.
Given that in Viet Nam it is impossible to escape the Tet (transition to the new year) and to the long preparations mobilizing all the country, it was inevitable that it happens on my paintings. I took interest in the lunar calendar that I attacked the shape literally, before understanding a little, but very little substance. Some of my paintings done there have the composition of a lunar calendar page.
Then I had fun working on the Chinese birth year: I introduced in my work characters rats, the year of the rat and buffalo. As the buffalo is my sign, I staged on the canvas in the form of bufflette, which changed its name in the way: the Bubala the Bubalita who became my alter ego.
I was also greatly influenced by two trips to New York in 2008 and 2009 which have increased the presence of writings. First especially during the Obama-mania, with the shock of the city, tagging, colors everywhere, so, New York City.
Words have taken since that time more importance on the canvas. They energize and emphasize my expression, but in my opinion should retain a graphic role, which is why I do not write in French on the canvas, hoping they are not too fast to understand, at least for me.
Acko, Les Lilas, September 2012
วัตถุที่ฉันใช้ทำงาน:
Oil painting, silver and cupper leaves, acrylic, cans, painted chinese calendars marble powder on canvas