Yan Xing - Dangerous Afternoon

(Friday) (Sunday)

Yan Xing (b. 1986) will present a newly commissioned installation that acts as a fictive exhibition by a fictive curator whose fantasy life is the libidinal undercurrent to his project. As with all of the Chinese artist’s work, it is informed by a mix of art historical research, autobiographical narratives, aesthetic critique, and sheer confabulation.

Kunsthalle Basel
Steinenberg 7
CH-4051 Basel
Switzerland
+41 (61) 206 99 00
http://

Opening hours

Selection of further exhibitions in: Switzerland

15.06.2017 - 18.06.2017
Rhypark basel
Muehlhauserstrasse 17 / only 7 minutes from the Art Basel fair-ground/ Messeplatz Tram 14 and 1
Basel

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16.06.2017 - 18.06.2017
Rhypark Basel , Muelhauserstr. 17, 4056 Basel, Tram 1 or 11
Muelhauserstr. 17,


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02.06.2017 - 27.08.2017
Kunsthalle Basel
Steinenberg 7
Basel

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10.06.2016 - 24.09.2017
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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13.04.2017 - 09.07.2017
07.10.2017 - 07.01.2018
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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20.05.2017 - 15.10.2017
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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29.09.2017 - 07.01.2018
Kunsthalle Basel
Steinenberg 7
Basel

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06.04.2017 - 01.07.2017
Kunstmuseum Bern
Hodlerstrasse 12
Bern

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27.10.2017 - 28.01.2018
10.03.2017 - 05.06.2017
Kunstmuseum Bern
Hodlerstrasse 12
Bern

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25.11.2017 - 21.01.2018
Kunsthalle Basel
Steinenberg 7
Basel

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16.06.2017 - 30.06.2017
Fotoclub Luzern
Schulhaus Moosmatt, Voltastrasse 35
Luzern

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11.08.2017 - 11.03.2018
28.04.2017 - 11.06.2017
Kunstmuseum Bern
Hodlerstrasse 12
Bern

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22.09.2017 - 21.01.2018
02.11.2017 - 04.03.2018
19.01.2018 - 19.02.2018










Yan Xing - Dangerous Afternoon Kunsthalle Basel Main address: Kunsthalle Basel Steinenberg 7 CH-4051 Basel, Switzerland Kunsthalle Basel Steinenberg 7 CH-4051 Basel, Switzerland

Yan Xing (b. 1986) will present a newly commissioned installation that acts as a fictive exhibition by a fictive curator whose fantasy life is the libidinal undercurrent to his project. As with all of the Chinese artist’s work, it is informed by a mix of art historical research, autobiographical narratives, aesthetic critique, and sheer confabulation.

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