Overview: On view on the ground floor are 26 outstanding European and American drawings, watercolors, and prints from the Corcoran collection. The installation begins with three hushed, pastoral scenes by Barbizon school artist Jean-François Millet and continues with the satirical Le Défenseur (Council for the Defense) (c. 1862–1865) by Honoré Daumier and two vibrant pastels by Edgar Degas—Café-concert (1876/1877) and Two Women Performing (c. 1878–1880). Other celebrated works include Winslow Homer’s renowned watercolors Young Woman Sewing (1876) and Hudson River, Logging (1891/1892); Charles Demuth’s Rooftops and Trees (1918) and In Vaudeville, the Bicycle Rider (1919); Marsden Hartley’s Berlin Symbols #6 (1914–1915); Arthur Dove’s charcoal drawing, #4 Creek (c. 1923); and Street Musicians (1940) by William H. Johnson, an exemplary screenprint in the artist’s faux-naïf style. Dat Ol’ Black Magic (1981) by Betye Saar―a collage from the Evans-Tibbs Collection—incorporates vintage game cards and items that underscore the artist’s concern for the past and demonstrate her interest in the mystical. Anchoring the installation is Drawing for “Ghost Dance” (1974), a beautiful, large watercolor by Robert Stackhouse, who exhibited at the Corcoran and taught at the Corcoran College of Art + Design from 1966–1987.
Mexican and Latino Art Museum | San Francisco | In Association With The Smithsonian Institution - Th
Fort Mason Center, 2 Marina Blvd., Building D
San Francisco
Focus on the Corcoran: Works on Paper, 1860–1990National Gallery of Art Main address:
National Gallery of ArtWells Fargo Center4th and Constitution Avenue NWDC 20565Washington DC, Estados unidosNational Gallery of ArtWells Fargo Center4th and Constitution Avenue NWDC 20565Washington DC, Estados unidosOverview: On view on the ground floor are 26 outstanding European and American drawings, watercolors, and prints from the Corcoran collection. The installation begins with three hushed, pastoral scenes by Barbizon school artist Jean-François Millet and continues with the satirical Le Défenseur (Council for the Defense) (c. 1862–1865) by Honoré Daumier and two vibrant pastels by Edgar Degas—Café-concert (1876/1877) and Two Women Performing (c. 1878–1880). Other celebrated works include Winslow Homer’s renowned watercolors Young Woman Sewing (1876) and Hudson River, Logging (1891/1892); Charles Demuth’s Rooftops and Trees (1918) and In Vaudeville, the Bicycle Rider (1919); Marsden Hartley’s Berlin Symbols #6 (1914–1915); Arthur Dove’s charcoal drawing, #4 Creek (c. 1923); and Street Musicians (1940) by William H. Johnson, an exemplary screenprint in the artist’s faux-naïf style. Dat Ol’ Black Magic (1981) by Betye Saar―a collage from the Evans-Tibbs Collection—incorporates vintage game cards and items that underscore the artist’s concern for the past and demonstrate her interest in the mystical. Anchoring the installation is Drawing for “Ghost Dance” (1974), a beautiful, large watercolor by Robert Stackhouse, who exhibited at the Corcoran and taught at the Corcoran College of Art + Design from 1966–1987. Book tickets
TheArtKey.com es un producto de ArtKey Media Inc., una compañía de comunicación suiza. Su misión es ofrecer una plataforma de contacto para artistas, coleccionistas de arte y personas interesadas en el mundo del arte o que realizan negocios relacionados con el arte.
Nuestro equipo posee las competencias esenciales y necesarias para llevar a cabo esta misión: