Tate Britain Commission: Mike Nelson: The Asset Strippers – Exhibition at Tate Britain | Tate

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A major new installation by Mike Nelson transforms the heart of Tate Britain





























Mike Nelson has transformed the grand spaces of the Duveen Galleries into something between a sculpture court and an asset strippers’ warehouse. He has carefully selected objects from the post-war Britain that framed his childhood – including enormous knitting machines, woodwork stripped from a former army barracks, graffitied steel awnings and doors from an NHS hospital.Nelson’s project has been informed by the Duveen Galleries’ origins as the first purpose-built sculpture galleries in England, intended to rival the sculpture court at the British Museum and the V&A’s Cast Courts. It turns the neo-classical galleries into a warehouse of monuments to a lost era and the vision of society it represented.Nelson is interested in the cultural and social contexts behind the objects he has selected, as well as their material qualities. He explainsTheir manipulation and arrangement subtly shift them from what they once were into sculpture, and then back again to what they are – examples of the machines and equipment left over from industry and infrastructure. The exhibition weaves this allusion with that of British history. It presents us with a vision of artefacts cannibalised from the last days of the industrial era in place of the treasures of empire that would normally adorn such halls.The annual Tate Britain Commission invites artists to create a new artwork in response to the grand space of the Duveen Galleries. Artists who have previously undertaken commissions in the Duveens at Tate Britain include Anthea Hamilton, Cerith Wyn Evans and Pablo Bronstein. Download the in gallery leaflet [PDF 1.23 MB]

















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Mike Nelson: The Asset Strippers install view Tate Britain 2019. Photo: © Tate​ (Matt Greenwood)





























Mike Nelson: The Asset Strippers install view Tate Britain 2019. Photo: © Tate​ (Matt Greenwood)





























Mike Nelson: The Asset Strippers install view Tate Britain 2019. Photo: © Tate​ (Matt Greenwood)





























Mike Nelson: The Asset Strippers install view Tate Britain 2019. Photo: © Tate​ (Matt Greenwood)





























Mike Nelson: The Asset Strippers install view Tate Britain 2019. Photo: © Tate​ (Matt Greenwood)



























































Tate Britain





Duveen Galleries





MillbankLondon SW1P 4RGPlan your visit



















Dates



18 March – 6 October 2019



















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Supported by



























































With additional support from

















AGC Equity Partners























With logistics support from

















Tuplin Fine Art

Selection of further exhibitions in: United kingdom

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19.10.2019 - 26.01.2020
National Museum & Gallery Cardiff
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06.07.2018 - 10.11.2019
Manchester Art Gallery
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04.06.2019 - 08.09.2019
The Fitzwilliam Museum
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Cambridge

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18.05.2019 - 17.05.2020
National Museum & Gallery Cardiff
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08.10.2019 - 05.01.2020
The Fitzwilliam Museum
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Tate Britain Commission: Mike Nelson: The Asset Strippers – Exhibition at Tate Britain | Tate Tate Britain Main address: Tate Britain Millbank SW1P 4RG London, United kingdom Tate Britain Millbank SW1P 4RG London, United kingdom A major new installation by Mike Nelson transforms the heart of Tate Britain





























Mike Nelson has transformed the grand spaces of the Duveen Galleries into something between a sculpture court and an asset strippers’ warehouse. He has carefully selected objects from the post-war Britain that framed his childhood – including enormous knitting machines, woodwork stripped from a former army barracks, graffitied steel awnings and doors from an NHS hospital.Nelson’s project has been informed by the Duveen Galleries’ origins as the first purpose-built sculpture galleries in England, intended to rival the sculpture court at the British Museum and the V&A’s Cast Courts. It turns the neo-classical galleries into a warehouse of monuments to a lost era and the vision of society it represented.Nelson is interested in the cultural and social contexts behind the objects he has selected, as well as their material qualities. He explainsTheir manipulation and arrangement subtly shift them from what they once were into sculpture, and then back again to what they are – examples of the machines and equipment left over from industry and infrastructure. The exhibition weaves this allusion with that of British history. It presents us with a vision of artefacts cannibalised from the last days of the industrial era in place of the treasures of empire that would normally adorn such halls.The annual Tate Britain Commission invites artists to create a new artwork in response to the grand space of the Duveen Galleries. Artists who have previously undertaken commissions in the Duveens at Tate Britain include Anthea Hamilton, Cerith Wyn Evans and Pablo Bronstein. Download the in gallery leaflet [PDF 1.23 MB]

















Left







Right







































Mike Nelson: The Asset Strippers install view Tate Britain 2019. Photo: © Tate​ (Matt Greenwood)





























Mike Nelson: The Asset Strippers install view Tate Britain 2019. Photo: © Tate​ (Matt Greenwood)





























Mike Nelson: The Asset Strippers install view Tate Britain 2019. Photo: © Tate​ (Matt Greenwood)





























Mike Nelson: The Asset Strippers install view Tate Britain 2019. Photo: © Tate​ (Matt Greenwood)





























Mike Nelson: The Asset Strippers install view Tate Britain 2019. Photo: © Tate​ (Matt Greenwood)



























































Tate Britain





Duveen Galleries





MillbankLondon SW1P 4RGPlan your visit



















Dates



18 March – 6 October 2019



















Share



EmailTwitterFacebook

















Supported by



























































With additional support from

















AGC Equity Partners























With logistics support from

















Tuplin Fine Art
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