Fascination Japan

(Wednesday) (Sunday)

Monet. Van Gogh. Klimt.Monet. Van Gogh. Klimt.10.10.2018 - 20.1.2019The 2018 autumn exhibition in the Kunstforum is devoted to “Japomanie” – the West’s passion for the aesthetics and world of images of the Far East. The exhibition traces its development, starting with the fascination for the exotic and the new and the first stirrings in the 1860s to long after the turn of the century, to its amalgamation into the form vocabulary of Western painting and the influence of its aesthetics on the development of modernism around 1900.Ever since the 1860s, the elegant and exotic aesthetics of the everyday utensils, the exquisite textiles and most of all the fantastical and richly luminous narrative ukiyo-e – the colour woodcuts – had been invading the European market and fulfilling the public’s yearning for unknown culture and a new vision of aesthetics.Artists were in the forefront, collecting and integrating the extraordinary form vocabulary of the ukiyo-e and their astonishing themes and motifs into their visual imagery. Monet, Manet, Van Gogh and Degas were the first, followed by the younger artists – Toulouse-Lautrec, Bonnard, Vuillard and Vallotton, also Marc and Kandinsky, to name only the most important.Launching out from Paris, Japomanie conquered the whole of Europe – also in Austria, after the impact of the Vienna World Fair in 1873, it triggered a genuine hype surrounding the aesthetics of the Far East, which inspired such artists as Gustav Klimt and Egon Schiele.Subsequently the ideas from the Far East evolved into independent interpretations and realisations in a new language of forms that heralded the approaching modernism of the twentieth century – in which the trends towards abstraction, towards breaking loose from the conventional pictorial space, took their own autonomous development.The exhibition includes not only paintings and printed graphics, but also objects and furniture, juxtaposing Japanese woodcuts, screens and artefacts to European works influenced by the aesthetics of the Far East, including by Claude Monet, Edgar Degas, Gustav Klimt, Henri de Toulouse-Lautrec, the Nabis and the Blauer Reiter group. Around a hundred exhibits from international public and private collections present a wide-ranging overview of the phenomenon of “Japonisme” that spread throughout Europe from the late nineteenth century to the dawn of the avant-garde movements. Curator: Evelyn Benesch  back

Selection of further exhibitions in: Austria

28.03.2017 - 28.04.2019
Kunsthistorisches Museum Wien
Maria Theresien-Platz
Vienna

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20.09.2019 - 06.01.2020
Albertina Museum Wien
Albertinaplatz 1
Wien

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10.10.2018 - 20.01.2019
Bank Austria Kunstforum
Freyung 8
Wien

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31.10.2018 - 03.03.2019
Jüdisches Museum Wien
Dorotheergasse 11
Vienna

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11.04.2018 - 25.11.2018
Jüdisches Museum Wien
Dorotheergasse 11
Vienna

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08.12.2016 - 13.01.2019
Kunsthistorisches Museum Wien
Maria Theresien-Platz
Vienna

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15.02.2019 - 10.06.2019
Albertina Museum Wien
Albertinaplatz 1
Wien

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28.09.2018 - 13.01.2019
Lentos Kunstmuseum Linz
Ernst-Koref-Promenade 1
Linz

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08.12.2016 - 13.01.2019
Kunsthistorisches Museum Wien
Maria Theresien-Platz
Vienna

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19.10.2018 - 06.01.2019
Lentos Kunstmuseum Linz
Ernst-Koref-Promenade 1
Linz

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20.09.2018 - 06.01.2019
Albertina Museum Wien
Albertinaplatz 1
Wien

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01.05.2018 - 20.01.2019
Kunsthistorisches Museum Wien
Maria Theresien-Platz
Vienna

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29.01.2016 - 26.06.2026
Albertina Museum Wien
Albertinaplatz 1
Wien

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02.03.2018 - 31.12.2018
Kunsthistorisches Museum Wien
Maria Theresien-Platz
Vienna

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24.10.2018 - 17.02.2019
Albertina Museum Wien
Albertinaplatz 1
Wien

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17.05.2017 - 17.11.2019
Jüdisches Museum Wien
Dorotheergasse 11
Vienna

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05.12.2018 - 12.05.2019
Jüdisches Museum Wien
Dorotheergasse 11
Vienna

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10.10.2017 - 20.01.2019
Bank Austria Kunstforum
Freyung 8
Wien

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Fascination Japan Bank Austria Kunstforum Main address: Bank Austria Kunstforum Freyung 8 1010 Wien, Austria Bank Austria Kunstforum Freyung 8 1010 Wien, Austria Monet. Van Gogh. Klimt.Monet. Van Gogh. Klimt.10.10.2018 - 20.1.2019The 2018 autumn exhibition in the Kunstforum is devoted to “Japomanie” – the West’s passion for the aesthetics and world of images of the Far East. The exhibition traces its development, starting with the fascination for the exotic and the new and the first stirrings in the 1860s to long after the turn of the century, to its amalgamation into the form vocabulary of Western painting and the influence of its aesthetics on the development of modernism around 1900.Ever since the 1860s, the elegant and exotic aesthetics of the everyday utensils, the exquisite textiles and most of all the fantastical and richly luminous narrative ukiyo-e – the colour woodcuts – had been invading the European market and fulfilling the public’s yearning for unknown culture and a new vision of aesthetics.Artists were in the forefront, collecting and integrating the extraordinary form vocabulary of the ukiyo-e and their astonishing themes and motifs into their visual imagery. Monet, Manet, Van Gogh and Degas were the first, followed by the younger artists – Toulouse-Lautrec, Bonnard, Vuillard and Vallotton, also Marc and Kandinsky, to name only the most important.Launching out from Paris, Japomanie conquered the whole of Europe – also in Austria, after the impact of the Vienna World Fair in 1873, it triggered a genuine hype surrounding the aesthetics of the Far East, which inspired such artists as Gustav Klimt and Egon Schiele.Subsequently the ideas from the Far East evolved into independent interpretations and realisations in a new language of forms that heralded the approaching modernism of the twentieth century – in which the trends towards abstraction, towards breaking loose from the conventional pictorial space, took their own autonomous development.The exhibition includes not only paintings and printed graphics, but also objects and furniture, juxtaposing Japanese woodcuts, screens and artefacts to European works influenced by the aesthetics of the Far East, including by Claude Monet, Edgar Degas, Gustav Klimt, Henri de Toulouse-Lautrec, the Nabis and the Blauer Reiter group. Around a hundred exhibits from international public and private collections present a wide-ranging overview of the phenomenon of “Japonisme” that spread throughout Europe from the late nineteenth century to the dawn of the avant-garde movements. Curator: Evelyn Benesch  back Book tickets