Follow the North Star
Inuit Art from the Collection of Estrellita and Yousuf Karsh
Follow the North Star
Inuit Art from the Collection of Estrellita and Yousuf Karsh
(Saturday) — (Sunday)
Opening on the 150th anniversary of the Canadian Confederation, this exhibition presents a selection of Inuit prints from the collection of renowned portrait photographer Yousuf Karsh and his wife Estrellita, both longtime supporters of the MFA. Included are works by key Inuit artists such as Kenojuak Ashevak, Agnes Nanogak, Jessie Oonark, Pudlo Pudlat, and Lucy Qinnuayuak. The prints come largely from the printmaking cooperative at Cape Dorset, north of Hudson Bay, where printmaking was introduced around 1959. Most are stone-cuts, hand-printed from blocks of soapstone in which the images are carved in relief. The works are organized thematically, with sections focusing on family and daily life; hunting; shamans and myths; and tradition and the incursion of the modern world. In addition to the prints, the exhibition features a number of small-scale sculptures.
Mexican and Latino Art Museum | San Francisco | In Association With The Smithsonian Institution - Th
Fort Mason Center, 2 Marina Blvd., Building D
San Francisco
Follow the North Star
Inuit Art from the Collection of Estrellita and Yousuf KarshMuseum of Fine Arts, Boston Main address:
Museum of Fine Arts, BostonWells Fargo Center465 Huntington AvenueMA 02115Boston, Estados unidosMuseum of Fine Arts, BostonWells Fargo Center465 Huntington AvenueMA 02115Boston, Estados unidosOpening on the 150th anniversary of the Canadian Confederation, this exhibition presents a selection of Inuit prints from the collection of renowned portrait photographer Yousuf Karsh and his wife Estrellita, both longtime supporters of the MFA. Included are works by key Inuit artists such as Kenojuak Ashevak, Agnes Nanogak, Jessie Oonark, Pudlo Pudlat, and Lucy Qinnuayuak. The prints come largely from the printmaking cooperative at Cape Dorset, north of Hudson Bay, where printmaking was introduced around 1959. Most are stone-cuts, hand-printed from blocks of soapstone in which the images are carved in relief. The works are organized thematically, with sections focusing on family and daily life; hunting; shamans and myths; and tradition and the incursion of the modern world. In addition to the prints, the exhibition features a number of small-scale sculptures. Book tickets
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