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Matisse drew his collection from the far corners of the world: Buddhist statuary from Thailand, Bamana figures from Mali, textiles from Polynesia. Rarely of material value, these objects were nonetheless precious. Offering points of departure to which he could return again and again, they appear in his work in different guises and across spans of decades, reinvented afresh in each new setting.



Matisse’s objects formed his repertoire, but they also provided him with influences from beyond the limits of Western art. African sculpture and masks were a revelation, suggesting more expressive models for depicting the human figure and face. Later, Matisse adorned his Nice studio with props from the Islamic world to create the sensuous sets for his ‘odalisques’, in which a harmonious synergy emerges between figure and object. And as his oeuvre reached its joyous apex in his cut-out period, he looked to the concise precision of Chinese calligraphy and African textiles as he sought to invent his own simplified language of signs.



This sumptuous exhibition offers a rare glimpse into the artist’s personal collection, as well as the paintings, sculptures and drawings it inspired. Seen together, they reveal how Matisse’s masterful vision of richness, balance and vital, fluid energy first stemmed from the collage of patterns and rhythms which he found in the world of objects.

Royal Academy of Arts
Burlington House
W1J 0BD London
United kingdom
020 7300 8000
https://www.royalacademy.org.uk/exhibition/matisse-in-t...

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Chinese,

Selection of further exhibitions in: United kingdom

03.05.2018 - 01.09.2019
National Museum & Gallery Cardiff
Cathays Park
Cardiff

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26.10.2018 - 02.12.2019
18.05.2019 - 17.05.2020
National Museum & Gallery Cardiff
Cathays Park
Cardiff

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29.06.2019 - 12.01.2020
25.09.2018 - 31.07.2019
The Fitzwilliam Museum
Trumpington Street
Cambridge

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22.06.2019 - 15.09.2019
National Museum & Gallery Cardiff
Cathays Park
Cardiff

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18.04.2018 - 27.10.2019
Birmingham Museums & Art Gallery
Chamberlain Square
Birmingham

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26.04.2019 - 17.09.2019
Design Museum
28 Shad Thames
London

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17.05.2019 - 29.09.2019
Manchester Art Gallery
Mosley Street
Manchester

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23.07.2019 - 10.11.2019
The Fitzwilliam Museum
Trumpington Street
Cambridge

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11.06.2019 - 22.09.2019
The Fitzwilliam Museum
Trumpington Street
Cambridge

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22.07.2018 - 05.05.2020
Birmingham Museums & Art Gallery
Chamberlain Square
Birmingham

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07.05.2019 - 04.08.2019
The Fitzwilliam Museum
Trumpington Street
Cambridge

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05.02.2019 - 18.08.2019
The Fitzwilliam Museum
Trumpington Street
Cambridge

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Resources Royal Academy of Arts Main address: Royal Academy of Arts Burlington House W1J 0BD London, United kingdom Royal Academy of Arts Burlington House W1J 0BD London, United kingdom Matisse drew his collection from the far corners of the world: Buddhist statuary from Thailand, Bamana figures from Mali, textiles from Polynesia. Rarely of material value, these objects were nonetheless precious. Offering points of departure to which he could return again and again, they appear in his work in different guises and across spans of decades, reinvented afresh in each new setting.



Matisse’s objects formed his repertoire, but they also provided him with influences from beyond the limits of Western art. African sculpture and masks were a revelation, suggesting more expressive models for depicting the human figure and face. Later, Matisse adorned his Nice studio with props from the Islamic world to create the sensuous sets for his ‘odalisques’, in which a harmonious synergy emerges between figure and object. And as his oeuvre reached its joyous apex in his cut-out period, he looked to the concise precision of Chinese calligraphy and African textiles as he sought to invent his own simplified language of signs.



This sumptuous exhibition offers a rare glimpse into the artist’s personal collection, as well as the paintings, sculptures and drawings it inspired. Seen together, they reveal how Matisse’s masterful vision of richness, balance and vital, fluid energy first stemmed from the collage of patterns and rhythms which he found in the world of objects.
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