Since the nineties, Frederic Montornés has alternated his activity as art critic and curator –which leads him to set up an intense dialogue with the artists– with the intuitive need to fix what his gaze alights on with a digital camera. But years had to pass before some of these images that had been stowed away could begin to interact with more recent photographs taken randomly. Always with the complicity of the night, the photographer rediscovered new connections and saw how the images paired up, two by two, in a secret dialogue, in an unfinished conversation.
La notte, 1961Home - Fundació Joan Miró Main address:
Home - Fundació Joan MiróWells Fargo CenterParc de Montjuïc s/nBarcelona, SpainHome - Fundació Joan MiróWells Fargo CenterParc de Montjuïc s/nBarcelona, Spain10/02 - 24/05/2015
Since the nineties, Frederic Montornés has alternated his activity as art critic and curator –which leads him to set up an intense dialogue with the artists– with the intuitive need to fix what his gaze alights on with a digital camera. But years had to pass before some of these images that had been stowed away could begin to interact with more recent photographs taken randomly. Always with the complicity of the night, the photographer rediscovered new connections and saw how the images paired up, two by two, in a secret dialogue, in an unfinished conversation.
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