Exhibitions: Diverse Works: Director's Choice, 1997–2015

(Wednesday) (Sunday)

Grey Area (Brown version), 1993. Fred Wilson (American, b. 1954). Paint, plaster, and wood; five busts, each: 18¾ x 9 x 13 in. (47.6 x 22.9 x 33 cm); overall: 20 x 84 in. (50.8 x 213.4 cm). Brooklyn Museum; Bequest of William K. Jacobs, Jr., and bequest of Richard J. Kempe, by exchange, 2008.6a–j. (Photo: Sarah DeSantis and Jonathan Dorado, Brooklyn Museum)









April 15–August 2, 2015

Contemporary Art Galleries, 4th Floor







Since taking the helm of the Brooklyn Museum in 1997, Arnold L. Lehman has expanded our collections to include exceptional works from around the world and across the centuries. To honor his vision, and to mark his retirement as Shelby White and Leon Levy Director in the summer of 2015, this installation highlights the scope of the Museum’s collecting accomplishments, underscoring our commitment to diversity in all its forms, under his leadership.



Diverse Works: Director’s Choice, 1997–2015 includes a selection of one hundred works from the nearly ten thousand acquired during Dr. Lehman’s tenure, including objects that range from an ancient Chinese mythical carved figure (5th‒3rd century B.C.E.) to contemporary works by Kiki Smith and Chuck Close. Additional highlights include Kara Walker’s Keys to the Coop (1997), a linocut that depicts an African American woman in silhouette, holding the severed head of a chicken; a silver Song dynasty reliquary (986) inscribed by the artist Li Lingxun; and the biomorphic Spacelander bicycle (1960), one of the rarest and most sought-after industrial designs of the mid-twentieth century.



Diverse Works: Director’s Choice, 1997‒2015 is organized by the curators of the Brooklyn Museum in honor of Arnold L. Lehman.



This exhibition is made possible by the Martha A. & Robert S. Rubin Exhibition Fund and the Norman & Arline Feinberg Exhibition Fund.

Selection of further exhibitions in: United states

24.01.3086 - 24.03.3086
Mexican and Latino Art Museum | San Francisco | In Association With The Smithsonian Institution - Th
Fort Mason Center, 2 Marina Blvd., Building D
San Francisco

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Exhibitions: Diverse Works: Director's Choice, 1997–2015 Brooklyn Museum Main address: Brooklyn Museum 200 Eastern Parkway NY 11238 Brooklyn, United states Brooklyn Museum 200 Eastern Parkway NY 11238 Brooklyn, United states Grey Area (Brown version), 1993. Fred Wilson (American, b. 1954). Paint, plaster, and wood; five busts, each: 18¾ x 9 x 13 in. (47.6 x 22.9 x 33 cm); overall: 20 x 84 in. (50.8 x 213.4 cm). Brooklyn Museum; Bequest of William K. Jacobs, Jr., and bequest of Richard J. Kempe, by exchange, 2008.6a–j. (Photo: Sarah DeSantis and Jonathan Dorado, Brooklyn Museum)









April 15–August 2, 2015

Contemporary Art Galleries, 4th Floor







Since taking the helm of the Brooklyn Museum in 1997, Arnold L. Lehman has expanded our collections to include exceptional works from around the world and across the centuries. To honor his vision, and to mark his retirement as Shelby White and Leon Levy Director in the summer of 2015, this installation highlights the scope of the Museum’s collecting accomplishments, underscoring our commitment to diversity in all its forms, under his leadership.



Diverse Works: Director’s Choice, 1997–2015 includes a selection of one hundred works from the nearly ten thousand acquired during Dr. Lehman’s tenure, including objects that range from an ancient Chinese mythical carved figure (5th‒3rd century B.C.E.) to contemporary works by Kiki Smith and Chuck Close. Additional highlights include Kara Walker’s Keys to the Coop (1997), a linocut that depicts an African American woman in silhouette, holding the severed head of a chicken; a silver Song dynasty reliquary (986) inscribed by the artist Li Lingxun; and the biomorphic Spacelander bicycle (1960), one of the rarest and most sought-after industrial designs of the mid-twentieth century.



Diverse Works: Director’s Choice, 1997‒2015 is organized by the curators of the Brooklyn Museum in honor of Arnold L. Lehman.



This exhibition is made possible by the Martha A. & Robert S. Rubin Exhibition Fund and the Norman & Arline Feinberg Exhibition Fund.
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