These magnificent metre-high bronze male nudes astride two ferocious panthers are now on display in the 16th to 18th century Italian Gallery (7) of the Fitzwilliam Museum.These magnificent metre-high bronze male nudes astride two ferocious panthers are now on display in the 16th to 18th century Italian Gallery (7) of the Fitzwilliam Museum.A team of international experts led by the University of Cambridge and Fitzwilliam Museum has gathered compelling evidence that argues that these masterpieces, which have spent over a century in relative obscurity, are early works by Michelangelo, made just after he completed the marble David and as he was about to embark on the Sistine Chapel ceiling.If the attribution is correct, they are currently the only surviving Michelangelo bronzes in the world by his hand.They are a non-matching pair, one figure older and lithe, the other young and athletic. Long admired for the beauty of their anatomy and powerful expressions, their first recorded attribution was to Michelangelo when they appeared in the collection of Adolphe de Rothschild in the 19th century. But, since they are undocumented and unsigned, this attribution was dismissed and over the last 120 years, the bronzes have been attributed to various other talented sculptors.That changed last autumn when Prof Paul Joannides, Emeritus Professor of Art History at the University of Cambridge, connected them to a drawing by one of Michelangelo’s apprentices now in the Musée Fabre, Montpellier, France.A Sheet of studies with Virgin embracing Infant Jesus, c.1508, is a student’s faithful copy of various slightly earlier lost sketches by Michelangelo. In one corner is a composition of a muscular youth riding a panther, which is very similar in pose to the bronzes, and drawn in the abrupt, forceful manner that Michelangelo employed in designs for sculpture. This suggests that Michelangelo was working up this very unusual theme for a work in three dimensions.This revelation triggered further art-historical research with input from a number of international experts. The bronzes were compared with other works by Michelangelo and found to be very similar in style and anatomy to his works of 1500-1510; a date confirmed by the preliminary conclusions of initial scientific analysis.Interdisciplinary research is continuing; the findings and conclusions of which will be presented at an international conference on Monday 6 July, 2015 (booking details to be announced).Tue 3 February 2015 to Sun 9 August 2015
Selection of further exhibitions in: United kingdom
Rothschild bronzesThe Fitzwilliam Museum Main address:
The Fitzwilliam MuseumWells Fargo CenterTrumpington StreetCB2 1RBCambridge,, United kingdomThe Fitzwilliam MuseumWells Fargo CenterTrumpington StreetCB2 1RBCambridge,, United kingdomThese magnificent metre-high bronze male nudes astride two ferocious panthers are now on display in the 16th to 18th century Italian Gallery (7) of the Fitzwilliam Museum.These magnificent metre-high bronze male nudes astride two ferocious panthers are now on display in the 16th to 18th century Italian Gallery (7) of the Fitzwilliam Museum.A team of international experts led by the University of Cambridge and Fitzwilliam Museum has gathered compelling evidence that argues that these masterpieces, which have spent over a century in relative obscurity, are early works by Michelangelo, made just after he completed the marble David and as he was about to embark on the Sistine Chapel ceiling.If the attribution is correct, they are currently the only surviving Michelangelo bronzes in the world by his hand.They are a non-matching pair, one figure older and lithe, the other young and athletic. Long admired for the beauty of their anatomy and powerful expressions, their first recorded attribution was to Michelangelo when they appeared in the collection of Adolphe de Rothschild in the 19th century. But, since they are undocumented and unsigned, this attribution was dismissed and over the last 120 years, the bronzes have been attributed to various other talented sculptors.That changed last autumn when Prof Paul Joannides, Emeritus Professor of Art History at the University of Cambridge, connected them to a drawing by one of Michelangelo’s apprentices now in the Musée Fabre, Montpellier, France.A Sheet of studies with Virgin embracing Infant Jesus, c.1508, is a student’s faithful copy of various slightly earlier lost sketches by Michelangelo. In one corner is a composition of a muscular youth riding a panther, which is very similar in pose to the bronzes, and drawn in the abrupt, forceful manner that Michelangelo employed in designs for sculpture. This suggests that Michelangelo was working up this very unusual theme for a work in three dimensions.This revelation triggered further art-historical research with input from a number of international experts. The bronzes were compared with other works by Michelangelo and found to be very similar in style and anatomy to his works of 1500-1510; a date confirmed by the preliminary conclusions of initial scientific analysis.Interdisciplinary research is continuing; the findings and conclusions of which will be presented at an international conference on Monday 6 July, 2015 (booking details to be announced).Tue 3 February 2015 to Sun 9 August 2015
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