Fernando Palma Rodríguez: In Ixtli in Yollotl, We the People

(Sunday) (Monday)

Exhibition. April 15–September 3, 2018. The first US solo museum exhibition of artist Fernando Palma Rodríguez (Mexican, b. 1957), who combines his training as an artist and mechanical engineer to create kinetic works that utilize robotics and custom software to perform complex, narrative choreographies. His works respond to issues facing indigenous communities in Mexico, addressing human and land rights, including the violent targeting of these communities, and urgent environmental crises. These concerns have particular significance to the district of Milpa Alta, an agricultural region outside of Mexico City where Palma Rodríguez lives and runs Calpulli Tecalco, a non-profit organization dedicated to the preservation of indigenous culture. Central to the artist’s practice is an emphasis on indigenous ancestral knowledge, both as an integral part of contemporary life and a way of shaping the future. In his work, he brings together evolving traditions with present-day concerns through a mix of cultural references and materials, from robotic constructions and found objects (work boots and sewing machines) to organic materials (seeds, soil, and feathers). Through their constant and complex movements, Palma Rodríguez’s works transform seemingly static symbols into active agents. Several artworks in the exhibition have been recently restored in collaboration with engineering students at Universidad Tecnológica de Valles Centrales de Oaxaca as part of his recent retrospective exhibition at the Museo de Arte Contemporáneo de Oaxaca, Guex Liu, Kuu ñunro, Totlahuan, organized by Oliver Martínez Kandt. Fernando Palma Rodríguez lives and works in San Pedro Atocpan, Mexico. He was the subject of a retrospective at Museo de Arte Contemporáneo de Oaxaca (2017). His work has been included in group exhibitions at FRAC des Pays de la Loire, Carquefou, France (2016); Parallel Oaxaca, Mexico (2016); Nottingham Contemporary, England (2015); the Biennial of the Americas, Denver, Colorado (2015); Museo Universitario del Chopo, Mexico City, Mexico (2014); and SITE Santa Fe, New Mexico (2014).

MoMA - Museum of Modern Art
11 West 53 Street
NY 10019-5 New York
United states
(212) 708-9400
http://www.moma.org/calendar/exhibitions/4963?locale=en

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Fernando Palma Rodríguez: In Ixtli in Yollotl, We the People MoMA - Museum of Modern Art Main address: MoMA - Museum of Modern Art 11 West 53 Street NY 10019-5 New York, United states MoMA - Museum of Modern Art 11 West 53 Street NY 10019-5 New York, United states Exhibition. April 15–September 3, 2018. The first US solo museum exhibition of artist Fernando Palma Rodríguez (Mexican, b. 1957), who combines his training as an artist and mechanical engineer to create kinetic works that utilize robotics and custom software to perform complex, narrative choreographies. His works respond to issues facing indigenous communities in Mexico, addressing human and land rights, including the violent targeting of these communities, and urgent environmental crises. These concerns have particular significance to the district of Milpa Alta, an agricultural region outside of Mexico City where Palma Rodríguez lives and runs Calpulli Tecalco, a non-profit organization dedicated to the preservation of indigenous culture. Central to the artist’s practice is an emphasis on indigenous ancestral knowledge, both as an integral part of contemporary life and a way of shaping the future. In his work, he brings together evolving traditions with present-day concerns through a mix of cultural references and materials, from robotic constructions and found objects (work boots and sewing machines) to organic materials (seeds, soil, and feathers). Through their constant and complex movements, Palma Rodríguez’s works transform seemingly static symbols into active agents. Several artworks in the exhibition have been recently restored in collaboration with engineering students at Universidad Tecnológica de Valles Centrales de Oaxaca as part of his recent retrospective exhibition at the Museo de Arte Contemporáneo de Oaxaca, Guex Liu, Kuu ñunro, Totlahuan, organized by Oliver Martínez Kandt. Fernando Palma Rodríguez lives and works in San Pedro Atocpan, Mexico. He was the subject of a retrospective at Museo de Arte Contemporáneo de Oaxaca (2017). His work has been included in group exhibitions at FRAC des Pays de la Loire, Carquefou, France (2016); Parallel Oaxaca, Mexico (2016); Nottingham Contemporary, England (2015); the Biennial of the Americas, Denver, Colorado (2015); Museo Universitario del Chopo, Mexico City, Mexico (2014); and SITE Santa Fe, New Mexico (2014). Book tickets