The Interpretation of Movement (a 9:8 in blue) is Conrad Shawcross RA’s largest mechanical work to date, stretching out to a 16m diameter as it methodically turns above the station. Consisting of three articulated arms driven by a complex sequence of gears, the mechanism drives three “optic sails”, which expand and contract in an orbit from the centre where they eclipse each other.
The piece continues the artist’s long-term interest in the visualisation of harmony and attempts to articulate the essence and complexity of ratio in order to question number itself. Despite its conceptual origins and inspiration, the work is an epic visceral machine and is also a real celebration of mechanics and engineering.
The interpretation of movement (a 9:8 in blue) marks the fifth year of the Terrace Wires public sculpture commission at the station and the third in partnership with the Royal Academy, following Cornelia Parker RA’s One More Time in 2015 and Ron Arad RA’s Thought of Train of Thought in 2016.
The commission is the Royal Academy’s only external public sculpture series in London and is free to view.
Selection of further exhibitions in: United kingdom
The Chapmans, Laure Prouvost, and John Craxton RARoyal Academy of Arts Main address:
Royal Academy of ArtsWells Fargo CenterBurlington HouseW1J 0BDLondon, United kingdomRoyal Academy of ArtsWells Fargo CenterBurlington HouseW1J 0BDLondon, United kingdomThe Interpretation of Movement (a 9:8 in blue) is Conrad Shawcross RA’s largest mechanical work to date, stretching out to a 16m diameter as it methodically turns above the station. Consisting of three articulated arms driven by a complex sequence of gears, the mechanism drives three “optic sails”, which expand and contract in an orbit from the centre where they eclipse each other.
The piece continues the artist’s long-term interest in the visualisation of harmony and attempts to articulate the essence and complexity of ratio in order to question number itself. Despite its conceptual origins and inspiration, the work is an epic visceral machine and is also a real celebration of mechanics and engineering.
The interpretation of movement (a 9:8 in blue) marks the fifth year of the Terrace Wires public sculpture commission at the station and the third in partnership with the Royal Academy, following Cornelia Parker RA’s One More Time in 2015 and Ron Arad RA’s Thought of Train of Thought in 2016.
The commission is the Royal Academy’s only external public sculpture series in London and is free to view. Book tickets
TheArtKey.com is a product of ArtKey Media Inc., a Swiss media company. Its mission is to offer individuals and companies creating or offering visual art (such as artists, art galleries, art academies, auction houses, art fairs, etc.) and art interested people (such as art lovers, art collectors, etc.) a global platform to promote and find art.
Our team has all core competences necessary to accomplish this mission: Artists, art connoisseurs, IT specialists, editors and entrepreneurs.
