Down These Mean Streets: Community and Place in Urban Photography

(Пятница) (Воскресенье)

America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers. As neighborhoods started to decline in the 1950s, the photographers in this exhibition found ways to call attention to decaying cities and their forgotten residents. Down These Mean Streets unites works by Frank Espada, Camilo José Vergara, Anthony Hernandez, Ruben Ochoa, Manuel Acevedo and others who were driven to document and reflect on the state of our cities during these transformative years.America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers. As neighborhoods started to decline in the 1950s, the photographers in this exhibition found ways to call attention to decaying cities and their forgotten residents. Down These Mean Streets unites works by Frank Espada, Camilo José Vergara, Anthony Hernandez, Ruben Ochoa, Manuel Acevedo and others who were driven to document and reflect on the state of our cities during these transformative years.Credit

The Latino Initiatives Pool of the Smithsonian Latino Center provided generous support for the new acquisitions featured in this exhibition.

Smithsonian American Art Museum
8th and G Sts NW
DC 20004 Washington
Сша
(202) 633-7970
http://americanart.si.edu/exhibitions/archive/2017/streets

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Smithsonian American Art Museum
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Down These Mean Streets: Community and Place in Urban Photography Smithsonian American Art Museum Main address: Smithsonian American Art Museum 8th and G Sts NW DC 20004 Washington, Сша Smithsonian American Art Museum 8th and G Sts NW DC 20004 Washington, Сша America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers. As neighborhoods started to decline in the 1950s, the photographers in this exhibition found ways to call attention to decaying cities and their forgotten residents. Down These Mean Streets unites works by Frank Espada, Camilo José Vergara, Anthony Hernandez, Ruben Ochoa, Manuel Acevedo and others who were driven to document and reflect on the state of our cities during these transformative years.America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers. As neighborhoods started to decline in the 1950s, the photographers in this exhibition found ways to call attention to decaying cities and their forgotten residents. Down These Mean Streets unites works by Frank Espada, Camilo José Vergara, Anthony Hernandez, Ruben Ochoa, Manuel Acevedo and others who were driven to document and reflect on the state of our cities during these transformative years.Credit

The Latino Initiatives Pool of the Smithsonian Latino Center provided generous support for the new acquisitions featured in this exhibition.
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