Mixed Impressions

(Tuesday) (Friday)

Mixed Impressions presents works in a range of media from the Kemper Museum Permanent Collection demonstrating artists' impressionistic styles in developing geometric, abstract, and representational imagery. For example, Ethiopian-born artist Julie Mehretu's Okemos Drawings (Quartet A) (2008) depicts in four unique drawings an intricately abstracted cityscape formed by a layered web of drawn lines in black and white and color. Mehretu's lines seem even more crisp in contrast to the hazy twilight appearance of Wayne Thiebaud's City Edge (1988), in which the multiple print techniques he uses give a vibrating appearance to the curves and edges of San Francisco's buildings and winding streets. Each artist in the exhibition has developed a language through media and technique to show the varied expressions within impressionistic styles known to engage sensations of changing light and movement in overlapping everyday subjects such as cityscapes, landscapes, and portraits.

Kemper East
200 E. 44th Street
MO 64111 Kansas City
United states
Array
https://www.kemperart.org/exhibitions/mixed-impressions

Opening hours

Selection of further exhibitions in: United states

24.01.3086 - 24.03.3086
Mexican and Latino Art Museum | San Francisco | In Association With The Smithsonian Institution - Th
Fort Mason Center, 2 Marina Blvd., Building D
San Francisco

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Mixed Impressions Kemper East Main address: Kemper East 200 E. 44th Street MO 64111 Kansas City, United states Kemper East 200 E. 44th Street MO 64111 Kansas City, United states

Mixed Impressions presents works in a range of media from the Kemper Museum Permanent Collection demonstrating artists' impressionistic styles in developing geometric, abstract, and representational imagery. For example, Ethiopian-born artist Julie Mehretu's Okemos Drawings (Quartet A) (2008) depicts in four unique drawings an intricately abstracted cityscape formed by a layered web of drawn lines in black and white and color. Mehretu's lines seem even more crisp in contrast to the hazy twilight appearance of Wayne Thiebaud's City Edge (1988), in which the multiple print techniques he uses give a vibrating appearance to the curves and edges of San Francisco's buildings and winding streets. Each artist in the exhibition has developed a language through media and technique to show the varied expressions within impressionistic styles known to engage sensations of changing light and movement in overlapping everyday subjects such as cityscapes, landscapes, and portraits.

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