Joëlle Tuerlinckx

(Saturday) (Sunday)

Many of Joëlle Tuerlinckx’s works originate in the artist’s gigantic archive. In addition to her own drawings, collages, photographs, and texts, it also contains objets trouvés, newspaper photographs, and the bric-a-brac of everyday life. Employing artistic approaches that Tuerlinckx, who was born in Brussels in 1958, describes in a dedicated “lexicon,” she alters the materials, dimensions, and appearance of these objects, transforming their reality and purport. Her repertoire of techniques includes sculptural and painterly procedures such as copying, depicting, enlarging, coloring, scanning, and (re)printing as well as modes of presentation ordinarily used in museums or archives. In her exhibitions, Tuerlinckx arranges wall-mounted and freestanding objects in polyphonic arrangements that confront objects of art with problems of philosophy such as questions concerning the essence of time or language.

Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
4010 Basel
Switzerland
Array
http://www.kunstmuseumbasel.ch/en/exhibitions/upcoming/...

Selection of further exhibitions in: Switzerland

01.08.2016 - 01.01.2030
Landesmuseum Zürich
Museumstrasse 2
Zürich

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01.01.2016 - 01.01.2030
Landesmuseum Zürich
Museumstrasse 2
Zürich

Read more >>










Joëlle Tuerlinckx Kunstmuseum Basel, Museum für Gegenwartskunst Main address: Kunstmuseum Basel, Museum für Gegenwartskunst St. Alban-Graben 16 / St. Alban-Rheinweg 60 4010 Basel, Switzerland Kunstmuseum Basel, Museum für Gegenwartskunst St. Alban-Graben 16 / St. Alban-Rheinweg 60 4010 Basel, Switzerland Many of Joëlle Tuerlinckx’s works originate in the artist’s gigantic archive. In addition to her own drawings, collages, photographs, and texts, it also contains objets trouvés, newspaper photographs, and the bric-a-brac of everyday life. Employing artistic approaches that Tuerlinckx, who was born in Brussels in 1958, describes in a dedicated “lexicon,” she alters the materials, dimensions, and appearance of these objects, transforming their reality and purport. Her repertoire of techniques includes sculptural and painterly procedures such as copying, depicting, enlarging, coloring, scanning, and (re)printing as well as modes of presentation ordinarily used in museums or archives. In her exhibitions, Tuerlinckx arranges wall-mounted and freestanding objects in polyphonic arrangements that confront objects of art with problems of philosophy such as questions concerning the essence of time or language. Book tickets