Noir: The Romance of Black in 19th-Century French Drawings and Prints
Noir: The Romance of Black in 19th-Century French Drawings and Prints
(Tuesday) — (Sunday)
Noir: The Romance of Black in 19th-Century French Drawings and Prints
February 9–May 15, 2016, Getty Center
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Plan your visit
In the mid 19th century, French artists began depicting shadowy, often nocturnal or twilight scenes in which forms appear to emerge out of darkness. This quest for darkened realms led them to explore new subject matter, such as dream states and non-idealized representations of contemporary life.
The range and availability of black drawing materials exploded with the Industrial Revolution, along with improvements in working methods. This coincided with an interest in painterly techniques, not only in drawing but also in printmaking. It is impossible to say what influences came first, but what followed was a graphic exploration of darkness that constitutes an important moment in the history of Modernism.
This exhibition examines the inspiration that artists drew from their materials, and their expression of darkness in all its imaginative and narrative associations. Works are drawn from the Museum’s permanent collection and loans from private and public Los Angeles collections.
Mexican and Latino Art Museum | San Francisco | In Association With The Smithsonian Institution - Th
Fort Mason Center, 2 Marina Blvd., Building D
San Francisco
Noir: The Romance of Black in 19th-Century French Drawings and PrintsThe Getty Main address:
The GettyWells Fargo Center1200 Getty Center DriveCA 90049Los Angeles, Estados unidosThe GettyWells Fargo Center1200 Getty Center DriveCA 90049Los Angeles, Estados unidosNoir: The Romance of Black in 19th-Century French Drawings and Prints
February 9–May 15, 2016, Getty Center
/
Plan your visit
In the mid 19th century, French artists began depicting shadowy, often nocturnal or twilight scenes in which forms appear to emerge out of darkness. This quest for darkened realms led them to explore new subject matter, such as dream states and non-idealized representations of contemporary life.
The range and availability of black drawing materials exploded with the Industrial Revolution, along with improvements in working methods. This coincided with an interest in painterly techniques, not only in drawing but also in printmaking. It is impossible to say what influences came first, but what followed was a graphic exploration of darkness that constitutes an important moment in the history of Modernism.
This exhibition examines the inspiration that artists drew from their materials, and their expression of darkness in all its imaginative and narrative associations. Works are drawn from the Museum’s permanent collection and loans from private and public Los Angeles collections. Book tickets
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