Overview: Two large-scale group portraits from the Dutch Golden Age, on long-term loan from the Rijksmuseum and the Amsterdam Museum, provide an extraordinary opportunity for visitors to enjoy a type of Dutch painting rarely seen outside the Netherlands. In these imposing works, two of Amsterdam's most important portraitists from the mid-17th century, Govert Flinck (1615–1660) and Bartholomeus van der Helst (1613–1670), have immortalized the civic pride of the men who governed the Kloveniersdoelen, the building where one of Amsterdam's three militia companies held its meetings. The two works, both titled Governors of the Kloveniersdoelen, were painted 13 years apart. Flinck (in 1642) and Van der Helst (in 1655) created comparable yet distinct interpretations of the shared sense of duty and personal interactions of two different generations of governors.
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Civic Pride: Group Portraits from AmsterdamNational Gallery of Art Main address:
National Gallery of ArtWells Fargo Center4th and Constitution Avenue NWDC 20565Washington DC, Vereinigte staatenNational Gallery of ArtWells Fargo Center4th and Constitution Avenue NWDC 20565Washington DC, Vereinigte staatenOverview: Two large-scale group portraits from the Dutch Golden Age, on long-term loan from the Rijksmuseum and the Amsterdam Museum, provide an extraordinary opportunity for visitors to enjoy a type of Dutch painting rarely seen outside the Netherlands. In these imposing works, two of Amsterdam's most important portraitists from the mid-17th century, Govert Flinck (1615–1660) and Bartholomeus van der Helst (1613–1670), have immortalized the civic pride of the men who governed the Kloveniersdoelen, the building where one of Amsterdam's three militia companies held its meetings. The two works, both titled Governors of the Kloveniersdoelen, were painted 13 years apart. Flinck (in 1642) and Van der Helst (in 1655) created comparable yet distinct interpretations of the shared sense of duty and personal interactions of two different generations of governors. Book tickets
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