Alice Neel (American, 1900–1984). James Hunter Black Draftee (detail), 1965
This exhibition addresses a subject critical to artistic practice: the question of when a work of art is finished. Beginning with the Renaissance masters, this scholarly and innovative exhibition examines the term "unfinished" in its broadest possible sense, including works left incomplete by their makers, which often give insight into the process of their creation, but also those that partake of a non finito—intentionally unfinished—aesthetic that embraces the unresolved and open-ended. Some of history's greatest artists explored such an aesthetic, among them Titian, Rembrandt, Turner, and Cézanne.
The unfinished has been taken in entirely new directions by modern and contemporary artists, among them Janine Antoni, Lygia Clark, Jackson Pollock, and Robert Rauschenberg, who alternately blurred the distinction between making and un-making, extended the boundaries of art into both space and time, and recruited viewers to complete the objects they had begun.
Comprising 197 works dating from the Renaissance to the present—approximately forty percent of which are drawn from the Museum's own collection, enhanced by major national and international loans—this exhibition demonstrates The Met's unique capacity to mine its rich collection and scholarly resources to present modern and contemporary art within a deep historical context.
Mexican and Latino Art Museum | San Francisco | In Association With The Smithsonian Institution - Th
Fort Mason Center, 2 Marina Blvd., Building D
San Francisco
UnfinishedThe Metropolitan Museum of Art Main address:
The Metropolitan Museum of ArtWells Fargo Center1000 Fifth Avenue10028-0198New York, United statesThe Metropolitan Museum of ArtWells Fargo Center1000 Fifth Avenue10028-0198New York, United statesThis exhibition addresses a subject critical to artistic practice: the question of when a work of art is finished. Beginning with the Renaissance masters, this scholarly and innovative exhibition examines the term "unfinished" in its broadest possible sense, including works left incomplete by their makers, which often give insight into the process of their creation, but also those that partake of a non finito—intentionally unfinished—aesthetic that embraces the unresolved and open-ended. Some of history's greatest artists explored such an aesthetic, among them Titian, Rembrandt, Turner, and Cézanne.
The unfinished has been taken in entirely new directions by modern and contemporary artists, among them Janine Antoni, Lygia Clark, Jackson Pollock, and Robert Rauschenberg, who alternately blurred the distinction between making and un-making, extended the boundaries of art into both space and time, and recruited viewers to complete the objects they had begun.
Comprising 197 works dating from the Renaissance to the present—approximately forty percent of which are drawn from the Museum's own collection, enhanced by major national and international loans—this exhibition demonstrates The Met's unique capacity to mine its rich collection and scholarly resources to present modern and contemporary art within a deep historical context. Book tickets
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