The Ease of Fiction

(Wednesday) (Sunday)

In The Ease of Fiction, works by four contemporary African artists living in the United States serve as a foundation for a critical discussion about history, fact, & action. Recent paintings, drawings, and sculptural works by ruby onyinyechi amanze (b. 1982, Nigeria), Duhirwe Rushemeza (b. 1977, Rwanda), Sherin Guirguis (b. 1974, Egypt), and Meleko Mokgosi (b. 1981, Botswana) explore power, memory, personal agency, and play.

The exhibition’s title evokes the idea that people are often more comfortable accepting or believing what is told to them by those in power, rather than challenging and investigating the authenticity of information presented as historical fact. Interweaving their personal experiences and memories into broader historical contexts, these artists create works that are in strident opposition to passive acceptance. The artists’ cultural backgrounds and geographic diversity offer a provocative examination of varied perspectives of the truth. Although these artists are from four different African countries their work addresses universal issues that are relevant across all borders.

Museum of the African Diaspora - MoAD
685 Mission Street
CA 94105 San Francisco
United states

http://www.moadsf.org/exhibition/the-ease-of-fiction/

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The Ease of Fiction Museum of the African Diaspora - MoAD Main address: Museum of the African Diaspora - MoAD 685 Mission Street CA 94105 San Francisco, United states Museum of the African Diaspora - MoAD 685 Mission Street CA 94105 San Francisco, United states In The Ease of Fiction, works by four contemporary African artists living in the United States serve as a foundation for a critical discussion about history, fact, & action. Recent paintings, drawings, and sculptural works by ruby onyinyechi amanze (b. 1982, Nigeria), Duhirwe Rushemeza (b. 1977, Rwanda), Sherin Guirguis (b. 1974, Egypt), and Meleko Mokgosi (b. 1981, Botswana) explore power, memory, personal agency, and play.

The exhibition’s title evokes the idea that people are often more comfortable accepting or believing what is told to them by those in power, rather than challenging and investigating the authenticity of information presented as historical fact. Interweaving their personal experiences and memories into broader historical contexts, these artists create works that are in strident opposition to passive acceptance. The artists’ cultural backgrounds and geographic diversity offer a provocative examination of varied perspectives of the truth. Although these artists are from four different African countries their work addresses universal issues that are relevant across all borders.
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