PAMM presents the first major career survey of the work of Dara Friedman (b. 1968, Bad Kreuznach, Germany; lives Miami). Friedman is best known for film and video installations that combine the techniques and principles of structuralist filmmaking with a strong emotional charge and an intuitive approach to subject matter. Her work unravels cinematic conventions, laying bare the materiality and mechanics of film production while harnessing the accidents that occur as light passes through lens and celluloid. The results strip away and demystify film’s illusionistic tendencies, while distilling uncanny fragments from the ordinary world and transforming everyday sights and sounds into the raw material for sensual—often euphoric—encounters.