Exhibition. October 22, 2017–February 1, 2018. MoMA PS1 presents the first U.S. retrospective of the work of Carolee Schneemann, spanning the artist’s prolific six-decade career. As one of the most influential artists of the second part of the twentieth century, Schneemann’s pioneering investigations into subjectivity, the social construction of the female body, and the cultural biases of art history have had significant influence on subsequent generations of artists. Carolee Schneemann: Kinetic Painting begins with rarely seen examples of the artist’s early paintings of the 1950s and their evolution into assemblages made in the 1960s, which integrated objects, mechanical elements, and modes of deconstruction. In the late 1960s Schneemann began positioning her own body within her work, performing the roles of “both image and image-maker.” As a central protagonist of the New York downtown avant-garde community, she explored hybrid artistic forms culminating in experimental theater events. By tracing the developments that led to Schneemann’s groundbreaking innovations in performance, film, and installation in the 1970s, as well as her increasingly spatialized multimedia installations from the 1980s, 1990s, and 2000s, the exhibition embeds Schneemann’s oeuvre within the context of painting.
Mexican and Latino Art Museum | San Francisco | In Association With The Smithsonian Institution - Th
Fort Mason Center, 2 Marina Blvd., Building D
San Francisco
Carolee Schneemann: Kinetic PaintingMoMA - Museum of Modern Art Main address:
MoMA - Museum of Modern ArtWells Fargo Center11 West 53 StreetNY 10019-5New York, MoMA - Museum of Modern ArtWells Fargo Center11 West 53 StreetNY 10019-5New York, Exhibition. October 22, 2017–February 1, 2018. MoMA PS1 presents the first U.S. retrospective of the work of Carolee Schneemann, spanning the artist’s prolific six-decade career. As one of the most influential artists of the second part of the twentieth century, Schneemann’s pioneering investigations into subjectivity, the social construction of the female body, and the cultural biases of art history have had significant influence on subsequent generations of artists. Carolee Schneemann: Kinetic Painting begins with rarely seen examples of the artist’s early paintings of the 1950s and their evolution into assemblages made in the 1960s, which integrated objects, mechanical elements, and modes of deconstruction. In the late 1960s Schneemann began positioning her own body within her work, performing the roles of “both image and image-maker.” As a central protagonist of the New York downtown avant-garde community, she explored hybrid artistic forms culminating in experimental theater events. By tracing the developments that led to Schneemann’s groundbreaking innovations in performance, film, and installation in the 1970s, as well as her increasingly spatialized multimedia installations from the 1980s, 1990s, and 2000s, the exhibition embeds Schneemann’s oeuvre within the context of painting. Book tickets
