Hold me down

(Wednesday) (Wednesday)

Open from 25 January
Private view Thursday, 26 January, 6-8pm
 

waterside contemporary is pleased to present Hold me down, with Nikita Kadan, Anetta Mona Chişa & Lucia Tkáčová, Marinella Senatore, anonymous, Kamen Stoyanov, Mounira Al Solh, Oreet Ashery, Iván Argote, Nick Hornby, Núria Güell, Nicoline van Harskamp, and Marianna Christofides.
 

A single fluorescent light marked with paint bathes part of the gallery space in green light: Nikita Kadan's Commons acts as its own guardian and marks its territory. Reproducing an austerity-times practice of defacing property to protect it against theft, the gesture in fact increases the value of the object in the context of art.
 

Kadan works with painting, graphics, and installation, often in interdisciplinary collaboration with architects, sociologists and human rights activists. His practice is a critical investigation into the experience of present-day Ukrainians and their relationship to their Soviet past - a mapping that finds often uncomfortable parallels elsewhere.

Waterside Contemporary
2 Clunbury Str
N1 6TT London
United kingdom
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Hold me down Waterside Contemporary Main address: Waterside Contemporary 2 Clunbury Str N1 6TT London, United kingdom Waterside Contemporary 2 Clunbury Str N1 6TT London, United kingdom

Open from 25 January
Private view Thursday, 26 January, 6-8pm
 

waterside contemporary is pleased to present Hold me down, with Nikita Kadan, Anetta Mona Chişa & Lucia Tkáčová, Marinella Senatore, anonymous, Kamen Stoyanov, Mounira Al Solh, Oreet Ashery, Iván Argote, Nick Hornby, Núria Güell, Nicoline van Harskamp, and Marianna Christofides.
 

A single fluorescent light marked with paint bathes part of the gallery space in green light: Nikita Kadan's Commons acts as its own guardian and marks its territory. Reproducing an austerity-times practice of defacing property to protect it against theft, the gesture in fact increases the value of the object in the context of art.
 

Kadan works with painting, graphics, and installation, often in interdisciplinary collaboration with architects, sociologists and human rights activists. His practice is a critical investigation into the experience of present-day Ukrainians and their relationship to their Soviet past - a mapping that finds often uncomfortable parallels elsewhere.

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