Yan Xing - Dangerous Afternoon

(Friday) (Sunday)

Yan Xing (b. 1986) will present a newly commissioned installation that acts as a fictive exhibition by a fictive curator whose fantasy life is the libidinal undercurrent to his project. As with all of the Chinese artist’s work, it is informed by a mix of art historical research, autobiographical narratives, aesthetic critique, and sheer confabulation.

Kunsthalle Basel
Steinenberg 7
CH-4051 Basel
Switzerland
+41 (61) 206 99 00
http://

Opening hours

Selection of further exhibitions in: Switzerland

10.06.2016 - 24.09.2017
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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02.11.2017 - 04.03.2018
25.11.2017 - 21.01.2018
Kunsthalle Basel
Steinenberg 7
Basel

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29.09.2017 - 07.01.2018
Kunsthalle Basel
Steinenberg 7
Basel

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22.09.2017 - 21.01.2018
22.09.2017 - 12.11.2017
19.01.2018 - 19.02.2018
07.10.2017 - 07.01.2018
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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16.09.2017 - 21.01.2018
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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20.05.2017 - 15.10.2017
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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08.09.2017 - 28.09.2017
Kunsthalle Basel
Steinenberg 7
Basel

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27.10.2017 - 28.01.2018
11.08.2017 - 11.03.2018
19.10.2017 - 18.11.2017
Art Project Staffelbach
Hottigerstr. 8
Zürich

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25.10.2017 - 07.01.2018
Musée de l´Elysée
18, avenue de l´Elysée
Lausanne

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13.07.2017 - 01.01.2018
Museum Tinguely
Paul Sacher-Anlage 2
Basel

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16.02.2017 - 25.03.2018
Kunsthaus Zürich
Heimplatz 1
Zürich

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01.01.2016 - 01.01.2030
Landesmuseum Zürich
Museumstrasse 2
Zürich

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Yan Xing - Dangerous Afternoon Kunsthalle Basel Main address: Kunsthalle Basel Steinenberg 7 CH-4051 Basel, Switzerland Kunsthalle Basel Steinenberg 7 CH-4051 Basel, Switzerland

Yan Xing (b. 1986) will present a newly commissioned installation that acts as a fictive exhibition by a fictive curator whose fantasy life is the libidinal undercurrent to his project. As with all of the Chinese artist’s work, it is informed by a mix of art historical research, autobiographical narratives, aesthetic critique, and sheer confabulation.

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