Technologies of the Image: Art in 19th-Century Iran

(Saturday) (Sunday)

The 19th century was an era of heightened image-making in Iran. As the century unfolded, the new Qajar dynasty sought to unify a country torn by decades of civil war, even as the outside world increasingly intruded on Iranian affairs. The expansionist ambitions and technological advances of European powers brought Westerners to Iran and, to a later and lesser extent, drew Iranians to the West. Stimulated and challenged by developments both inside and outside their country, Persian artists mastered new image-making technologies and readily assimilated an unprecedented influx of pictorial material from abroad into their traditional art forms. 

This exhibition brings together four principal art forms—lacquer, lithography, photography, and painting and drawing on paper—to explore their separate and intertwined histories, contexts of production, and means of dissemination across sectors of society ranging from the courtly elite to the citizenry at large. The almost 80 works in the exhibition, most of which have never before been exhibited, include illustrated books, album folios, pen boxes, mirror cases, single-sheet painted and printed images, and photographs. Several of the objects are on loan from collections within Harvard University and from private and public collections in the United States and abroad. Many of the Qajar era’s most interesting and accomplished artists are represented in the exhibition, including Abu al-Hasan Ghaffari Saniʿ al-Mulk, Antoin Sevruguin, Mubarak Mirza b. Mahmud, Mirza ʿAli Quli Khaw’i, Muhammad Ismaʿil, Muhammad Riza al-Imami, and members of the Najaf ʿAli circle of lacquer artists.

Co-curated by Mary McWilliams, the Norma Jean Calderwood Curator of Islamic and Later Indian Art at the Harvard Art Museums; and David J. Roxburgh, the Prince Alwaleed Bin Talal Professor of Islamic Art History at Harvard University.

The accompanying exhibition catalogue features essays by co-editors David J. Roxburgh and Mary McWilliams as well as by Farshid Emami and Mira Xenia Schwerda, Ph.D. candidates at Harvard University and collaborators on the project.

An additional publicationAn Album of Artists’ Drawings from Qajar Iran, edited by David J. Roxburgh, is also available. The book is a compendium of the nearly 150 beautiful drawings, paintings, and a print that make up the Harvard Qajar Album. Several works from the album will be displayed in the exhibition. 

This project has been made possible in part by the Curatorial Support Fund established by Stan and Norma Jean Calderwood.

Related Programming
Information about related events, including a lecture on Wednesday, September 13, by scholars Mary McWilliams (Harvard Art Museums), Farshid Emami (Oberlin College), and Mira Xenia Schwerda (Harvard University), as well as a series of gallery talks, can be found in our calendar.

Harvard Art Museums
32 Quincy Street
MA 02138 Cambridge
United states
+1 617-495-9400
http://

Opening hours

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Technologies of the Image: Art in 19th-Century Iran Harvard Art Museums Main address: Harvard Art Museums 32 Quincy Street MA 02138 Cambridge, United states Harvard Art Museums 32 Quincy Street MA 02138 Cambridge, United states

The 19th century was an era of heightened image-making in Iran. As the century unfolded, the new Qajar dynasty sought to unify a country torn by decades of civil war, even as the outside world increasingly intruded on Iranian affairs. The expansionist ambitions and technological advances of European powers brought Westerners to Iran and, to a later and lesser extent, drew Iranians to the West. Stimulated and challenged by developments both inside and outside their country, Persian artists mastered new image-making technologies and readily assimilated an unprecedented influx of pictorial material from abroad into their traditional art forms. 

This exhibition brings together four principal art forms—lacquer, lithography, photography, and painting and drawing on paper—to explore their separate and intertwined histories, contexts of production, and means of dissemination across sectors of society ranging from the courtly elite to the citizenry at large. The almost 80 works in the exhibition, most of which have never before been exhibited, include illustrated books, album folios, pen boxes, mirror cases, single-sheet painted and printed images, and photographs. Several of the objects are on loan from collections within Harvard University and from private and public collections in the United States and abroad. Many of the Qajar era’s most interesting and accomplished artists are represented in the exhibition, including Abu al-Hasan Ghaffari Saniʿ al-Mulk, Antoin Sevruguin, Mubarak Mirza b. Mahmud, Mirza ʿAli Quli Khaw’i, Muhammad Ismaʿil, Muhammad Riza al-Imami, and members of the Najaf ʿAli circle of lacquer artists.

Co-curated by Mary McWilliams, the Norma Jean Calderwood Curator of Islamic and Later Indian Art at the Harvard Art Museums; and David J. Roxburgh, the Prince Alwaleed Bin Talal Professor of Islamic Art History at Harvard University.

The accompanying exhibition catalogue features essays by co-editors David J. Roxburgh and Mary McWilliams as well as by Farshid Emami and Mira Xenia Schwerda, Ph.D. candidates at Harvard University and collaborators on the project.

An additional publicationAn Album of Artists’ Drawings from Qajar Iran, edited by David J. Roxburgh, is also available. The book is a compendium of the nearly 150 beautiful drawings, paintings, and a print that make up the Harvard Qajar Album. Several works from the album will be displayed in the exhibition. 

This project has been made possible in part by the Curatorial Support Fund established by Stan and Norma Jean Calderwood.

Related Programming
Information about related events, including a lecture on Wednesday, September 13, by scholars Mary McWilliams (Harvard Art Museums), Farshid Emami (Oberlin College), and Mira Xenia Schwerda (Harvard University), as well as a series of gallery talks, can be found in our calendar.

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