Veronica Smirnoff: The Greater and Lesser Ways

(Wednesday) (Saturday)

A solo exhibition of work by London-based artist Veronica Smirnoff.
 

Veronica Smirnoff is a British artist of Russian origin. Her paintings evolve out of close and intimate study of pre-Renaissance art, from ancient topography to icon painting. The artist’s mystical narratives are inspired by Russo-Asian folklore and Eastern story-telling, her vast landscapes depicting unchartered territories haunted by often solitary female figures; gatekeepers, perhaps, or prophets.
 

Mixing pigments from ground semi-precious stones, wine and egg yolk, and painting on oak panels blessed in a Russian monastery, Smirnoff’s textured surfaces appear as ancient as the tales they depict. Water is instrumental to her method, the medium’s fluidity dictating a way of working flat on the studio floor. In this series of paintings, particular attention is paid to water’s nature as a medium and its potential as pictorial motif, illustrating the distance of oceans and the division of seas, and signifying transformation, purity and the source of life.

Jessica Carlisle
4 Mandeville Place
W1U 2BF London
United kingdom
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http://www.jessicacarlisle.com

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Veronica Smirnoff: The Greater and Lesser Ways Jessica Carlisle Main address: Jessica Carlisle 4 Mandeville Place W1U 2BF London, United kingdom Jessica Carlisle 4 Mandeville Place W1U 2BF London, United kingdom

A solo exhibition of work by London-based artist Veronica Smirnoff.
 

Veronica Smirnoff is a British artist of Russian origin. Her paintings evolve out of close and intimate study of pre-Renaissance art, from ancient topography to icon painting. The artist’s mystical narratives are inspired by Russo-Asian folklore and Eastern story-telling, her vast landscapes depicting unchartered territories haunted by often solitary female figures; gatekeepers, perhaps, or prophets.
 

Mixing pigments from ground semi-precious stones, wine and egg yolk, and painting on oak panels blessed in a Russian monastery, Smirnoff’s textured surfaces appear as ancient as the tales they depict. Water is instrumental to her method, the medium’s fluidity dictating a way of working flat on the studio floor. In this series of paintings, particular attention is paid to water’s nature as a medium and its potential as pictorial motif, illustrating the distance of oceans and the division of seas, and signifying transformation, purity and the source of life.

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