Yan Xing - Dangerous Afternoon

(Friday) (Sunday)

Yan Xing (b. 1986) will present a newly commissioned installation that acts as a fictive exhibition by a fictive curator whose fantasy life is the libidinal undercurrent to his project. As with all of the Chinese artist’s work, it is informed by a mix of art historical research, autobiographical narratives, aesthetic critique, and sheer confabulation.

Kunsthalle Basel
Steinenberg 7
CH-4051 Basel
Switzerland
+41 (61) 206 99 00
http://

Opening hours

Selection of further exhibitions in: Switzerland

14.06.2018 - 17.06.2018
Rhypark Basel / Tramstop:Novartis Campus
Muelhauserstrasse 17
Basel

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18.02.2018 - 27.05.2018
Musée de Beaux-arts du Locle
Marie-Anne-Calame 6
Le Locle

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24.01.2018 - 13.05.2018
Zentrum Paul Klee
Monument im Fruchtland 3
Bern

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31.01.2018 - 06.05.2018
Musée de l´Elysée
18, avenue de l´Elysée
Lausanne

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09.03.2017 - 08.07.2018
18.02.2018 - 27.05.2018
Musée de Beaux-arts du Locle
Marie-Anne-Calame 6
Le Locle

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17.11.2018 - 03.03.2019
Zentrum Paul Klee
Monument im Fruchtland 3
Bern

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19.10.2018 - 17.03.2019
Zentrum Paul Klee
Monument im Fruchtland 3
Bern

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09.03.2017 - 08.07.2018
09.06.2018 - 26.08.2018
Museum Franz Gertsch
Platanenstrasse 3
Burgdorf

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18.02.2018 - 27.05.2018
Musée de Beaux-arts du Locle
Marie-Anne-Calame 6
Le Locle

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14.12.2018 - 10.03.2019
Kunsthaus Zürich
Heimplatz 1
Zürich

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21.03.2018 - 15.06.2018
Dichter- und Stadtmuseum Liestal
Rathausstr. 30
Liestal

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01.01.2016 - 01.01.2030
Landesmuseum Zürich
Museumstrasse 2
Zürich

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31.01.2018 - 06.05.2018
Musée de l´Elysée
18, avenue de l´Elysée
Lausanne

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06.12.2017 - 03.06.2018
Zentrum Paul Klee
Monument im Fruchtland 3
Bern

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24.02.2018 - 03.06.2018
Museum Franz Gertsch
Platanenstrasse 3
Burgdorf

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13.04.2018 - 13.05.2018
Basel Art Center
Riehentorstrasse 33
Basel

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Yan Xing - Dangerous Afternoon Kunsthalle Basel Main address: Kunsthalle Basel Steinenberg 7 CH-4051 Basel, Switzerland Kunsthalle Basel Steinenberg 7 CH-4051 Basel, Switzerland

Yan Xing (b. 1986) will present a newly commissioned installation that acts as a fictive exhibition by a fictive curator whose fantasy life is the libidinal undercurrent to his project. As with all of the Chinese artist’s work, it is informed by a mix of art historical research, autobiographical narratives, aesthetic critique, and sheer confabulation.

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