Yan Xing - Dangerous Afternoon

(Friday) (Sunday)

Yan Xing (b. 1986) will present a newly commissioned installation that acts as a fictive exhibition by a fictive curator whose fantasy life is the libidinal undercurrent to his project. As with all of the Chinese artist’s work, it is informed by a mix of art historical research, autobiographical narratives, aesthetic critique, and sheer confabulation.

Kunsthalle Basel
Steinenberg 7
CH-4051 Basel
Switzerland
+41 (61) 206 99 00
http://

Opening hours

Selection of further exhibitions in: Switzerland

10.06.2017 - 10.09.2017
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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22.09.2017 - 12.11.2017
29.09.2017 - 07.01.2018
Kunsthalle Basel
Steinenberg 7
Basel

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25.11.2017 - 21.01.2018
Kunsthalle Basel
Steinenberg 7
Basel

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27.10.2017 - 28.01.2018
07.10.2017 - 07.01.2018
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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16.09.2017 - 21.01.2018
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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08.04.2017 - 20.08.2017
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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19.05.2017 - 13.08.2017
Kunsthalle Basel
Steinenberg 7
Basel

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02.06.2017 - 27.08.2017
Kunsthalle Basel
Steinenberg 7
Basel

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10.06.2016 - 24.09.2017
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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11.08.2017 - 11.03.2018
19.01.2018 - 19.02.2018
02.11.2017 - 04.03.2018
08.09.2017 - 28.09.2017
Kunsthalle Basel
Steinenberg 7
Basel

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23.06.2017 - 06.08.2017
Kunsthalle Luzern
Löwenplatz 11
Luzern

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22.09.2017 - 21.01.2018
20.05.2017 - 15.10.2017
Kunstmuseum Basel, Museum für Gegenwartskunst
St. Alban-Graben 16 / St. Alban-Rheinweg 60
Basel

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Yan Xing - Dangerous Afternoon Kunsthalle Basel Main address: Kunsthalle Basel Steinenberg 7 CH-4051 Basel, Switzerland Kunsthalle Basel Steinenberg 7 CH-4051 Basel, Switzerland

Yan Xing (b. 1986) will present a newly commissioned installation that acts as a fictive exhibition by a fictive curator whose fantasy life is the libidinal undercurrent to his project. As with all of the Chinese artist’s work, it is informed by a mix of art historical research, autobiographical narratives, aesthetic critique, and sheer confabulation.

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