Personal information
| Gender: |
Male |
| Display Name: |
Mario Mauroner Contemporary Art |
| Age: |
35 |
| I am a: |
Gallerist |
| Style: |
Modern |
| Category: |
Paintings |
| City: |
Vienna |
| Country: |
Austria |
Exhibitions
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00.00.0000 - 28.02.2009 |
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BERKHEMER Madeleine “Traditional show”
<p>The in 1973 born graduate of the Rotterdam art academy developed right from the beginning her very personal and individual style of sculpturing:<span> </span></p>
<p class="MsoNormal"><span lang="EN-GB">„<strong>Red Diamond</strong>“ is the name of her extensive space encompassing and wrapping central figure for Vienna.. Here we can experience her through constructivist thinking formed, and by Naum Gabo and Pevsner trained idea of sculpturing.. |
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21.11.2008 - 28.02.2009 |
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ROGGE Claudia "Man ohne Eigenschaften"
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<p class="MsoNormal"><span lang="EN-GB">The main topic of the young, in Düsseldorf born artist is the relation of mass and individual, which she investigates and adapts since about ten years.. Like a choreograph stages Claudia ROGGE her partly insistently intensive, partly opulently elegant photographic tableaus..</span></p>
<p class="MsoNormal"><span lang="EN-GB">Claudia ROGGEs former work is dominated by extremely to the point, the repetitive underlining design criteria - the human body melts in strict composition to ornaments.. |
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22.11.2008 - 21.02.2009 |
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_2008_acryl_auf_holz_109.jpg) |
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HASENAUER Bertram “Talus”
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<p>Figure, to leave the figure – is standing above the declarations of Bertram HASENAUERs new pictures.. He uses a “figurative” style, just to leave the demands on figuration, that were formulated a moment ago: What seems to be a portrait first, shows up to be an idea of a possible portrayed figure.. What looks like a picture of a human figure, disappears immediately into the vague spheres of the <em>memory at a figure</em>.. </p>
<p>For HASENAUER the figuration is just a “technique” – a tool, an instrument, for using a quasi-naturalistic picture language.. |
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08.11.2008 - 26.01.2009 |
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GRASSINO Paolo
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<p class="MsoNormal"><span lang="EN-GB">Paolo GRASSINOs Ouevre is distinguished by its extreme imagination, its huge sensual intensity and its dramatic power.. He captivates us like an invisible magnet.. And we follow him on his abysmal journey without any resistance.. Out of a sudden we meet weird figures that irritate us by their frightening, picturesque unreality and bewildered cruelty.. </span></p>
<p class="MsoNormal"><span lang="EN-GB">But GRASSINOs sculptures are never part of the dreadful scenes or personate violence concretely.. |
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